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Researched rigHuman-verified82% confidence

Sweet Child O' Mine guitar tone

Guns N' Roses · Slash / Izzy Stradlin

Appetite for Destruction (1987), produced by Mike Clink.

Round neck-pickup intro into dry, mid-forward modified-Marshall crunch and singing lead, supported by a woody hollowbody/Bassman rhythm layer.

Tuning
E-flat standard
Tempo
125 BPM
Time
4/4
On the record

The rig Guns N' Roses used

Researched from interviews, production write-ups and gear histories — not guessed.

Guitar

Slash: Kris Derrig ’59 Les Paul replica with Seymour Duncan Alnico II Zebra humbuckers, likely the main overdub guitar. Izzy Stradlin: Gibson ES-175D for the complementary rhythm path.

Amplifier

Slash: S.I.R. Stock #36, a 100-watt Marshall modified by Frank Levi with an added preamp stage and master volume. Izzy Stradlin: likely a 1960s blackface Fender Bassman head.

Cabinet

Slash: Marshall 4×12 with Celestion 30-watt speakers. Izzy: Mesa/Boogie 4×12 with EV lower speakers and Celestion upper speakers.

Signal flow

Signal chain

The order the original sound was built in. The exact settings get dialled for your own amp or modeller when you generate the tone.

  1. Kris Derrig ’59 Les Paul replica (Seymour Duncan Alnico II Zebra humbuckers)

    1

    Slash’s primary overdub and lead instrument.

    guitar
  2. Dunlop Cry Baby

    2

    Optional live-expression filter in Slash’s path.

    wah
  3. MXR Analog Chorus

    3

    Likely subtle width on the opening figure.

    mod
  4. Marshall Super Lead 100W — S.I.R. Stock #36, Frank Levi modification

    4

    Slash’s main crunch and lead amplifier.

    amp
  5. Marshall 4×12 with Celestion 30-watt speakers

    5

    Slash’s speaker stage.

    cab
  6. Roland SRV-2000 Digital Reverb

    6

    Restrained studio ambience for Slash’s path.

    reverb
  7. Gibson ES-175D

    7

    Izzy Stradlin’s complementary rhythm instrument.

    guitar
  8. 1960s Fender Bassman blackface head

    8

    Izzy Stradlin’s rhythm amplifier.

    amp
  9. Mesa/Boogie 4×12 — EV lower pair, Celestion upper pair

    9

    Izzy Stradlin’s speaker stage.

    cab

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Evidence

Why we think this is right

Slash’s main Appetite-era path centers on the Derrig Les Paul and the Frank Levi-modified S.I.R. Stock #36 into a Marshall 4×12. Izzy’s parallel rhythm path is likely an ES-175D into a blackface Bassman and Mesa/Boogie 4×12 with EV and Celestion speakers. The album rig also included Cry Baby, MXR Analog Chorus and Roland SRV-2000; the three studio-style snapshots keep the wah bypassed, use chorus only as subtle intro width, and apply restrained digital ambience.

Sources

  • https://guitar.com/features/artist-rigs/the-gear-used-by-slash-guns-n-roses-appetite-for-destruction/
  • https://www.guitarworld.com/artists/guitarists/the-story-of-guns-n-roses-sweet-child-o-mine
  • https://equipboard.com/pros/izzy-stradlin
  • https://www.songsterr.com/a/wsa/guns-n-roses-sweet-child-o-mine-tab-s23
  • https://realworldmusictheory.com/sweet-child-o-mine-more-than-a-riff/
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