Researched rig76% confidence

Plug In Baby guitar tone

Muse · Matthew Bellamy

Origin of Symmetry (Mushroom, 2001)

gated-fuzz riff over a two-channel British head

On the record

The rig Muse used

Researched from interviews, production write-ups and gear histories — not guessed.

Guitar

Manson DL-1, bridge humbucker

Amplifier

Marshall JCM2000 DSL100, both channels used - one amp, not two

Cabinet

Marshall 1960A 4x12 with Celestion G12T-75s

Microphone

Shure SM57 close on the grille

Signal flow

Signal chain

The order the original sound was built in. The exact settings get dialled for your own amp or modeller when you generate the tone.

  1. Manson DL-1 (custom)

    1

    source

    guitar
  2. Z.Vex Fuzz Factory

    2

    drive

    drive
  3. Marshall JCM2000 DSL

    3

    amp

    amp
  4. Marshall 1960A 4x12 (Celestion G12T-75)

    4

    cab

    cab
  5. Shure SM57

    5

    mic

    mic

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Evidence

Why we think this is right

The Z.Vex Fuzz Factory is the best-supported item in Muse's early rig and it is what makes the intro riff squeal the way it does; Bellamy later had one built into the Manson itself, but in 2001 it was still a floor pedal, and it is placed in front of the amp here. The amp is the JCM2000 DSL of the Origin of Symmetry period. Two competing claims are rejected: a Vox AC30, which belongs to a different part of Bellamy's history and does not match the tight, mid-forward saturation on this track; and the Diezel VH4, which is an Absolution-era development from 2003 and cannot have been on a 2001 record. The cabinet and microphone are period inference rather than session fact.

Sources

  • Equipboard - Matthew Bellamy gear listing (Z.Vex Fuzz Factory, Manson DL-1, Marshall JCM2000 DSL)
  • Z.Vex Fuzz Factory product history and the Manson MB-1 onboard-fuzz build (post-2001)
  • Diezel VH4 adoption chronology (Absolution period, 2003)
  • Muse, Origin of Symmetry (2001) - listening analysis of the released mix
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