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Researched rigHuman-verified74% confidence

Plug In Baby guitar tone

Muse · Matthew Bellamy

Origin of Symmetry (2001)

gated-fuzz riff over a two-channel British head

On the record

The rig Muse used

Researched from interviews, production write-ups and gear histories — not guessed.

Guitar

Manson DL-1, bridge humbucker

Amplifier

Marshall JCM2000 DSL100 into 4x12 cabinets - kept on ONE channel with volume full and gain low, not channel-switched.

Cabinet

Marshall 1960A 4x12 with Celestion G12T-75s

Microphone

Shure SM57 close on the grille

Signal flow

Signal chain

The order the original sound was built in. The exact settings get dialled for your own amp or modeller when you generate the tone.

  1. Manson Delorean

    1

    Main guitar

    guitar
  2. Z.Vex Fuzz Factory (onboard)

    2

    The fuzz behind the riff and the feedback squeal that opens the track

    drive
  3. MXR Phase 90 (onboard)

    3

    Phaser sweep over the riff

    mod
  4. Marshall JCM2000 DSL100

    4

    Amplifier - one channel, volume high and gain low

    amp
  5. Marshall 1960A 4x12

    5

    Speaker cabinet

    cab

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Evidence

Why we think this is right

The riff is a Hugh Manson custom with the onboard Z.Vex Fuzz Factory, which MuseWiki names as the single most notable use of that pedal in the catalogue - the squealing feedback that opens the track is the Fuzz Factory being coaxed into oscillation. The amp is the Marshall JCM2000 DSL100. Two corrections to earlier research: an MXR Phase 90, one of the two circuits built into the Manson Delorean, is audible and was missing; and Bellamy does NOT switch channels for the verse - in his own words he stays on one channel with volume full and gain really low.

Sources

  • MuseWiki - Marshall JCM 2000 DSL 100 (Bellamy quote on channel usage)
  • Guitar.com - 'The Genius Of... Origin of Symmetry by Muse'
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