Researched rig70% confidence

Come As You Are guitar tone

Nirvana

watery chorus-drenched riff (clean-to-crunch)

Tempo
120 BPM
On the record

The rig Nirvana used

Researched from interviews, production write-ups and gear histories — not guessed.

Guitar

A left-handed, Mosrite-shaped offset solidbody with humbucking pickups. Producer Butch Vig names 'his Mosrite' for this song's distorted sections; Jack Endino describes the same-looking guitar from the earlier sessions as a Univox, and the band's tech recalls Japanese Stratocasters with full-size bridge humbuckers for this album.

Amplifier

Fender Bassman, cranked, for the distorted sections - named on this song by producer Butch Vig. Vox AC30 for the clean chorused riff and the solo, named for the Nevermind guitar tracks but not for this song specifically.

Microphone

A close dynamic microphone on the combo speaker, in at the edge of the dust cap and about three inches back. No account of these sessions names the microphone that was used.

Signal flow

Signal chain

The order the original sound was built in. The exact settings get dialled for your own amp or modeller when you generate the tone.

  1. Mosrite-style offset solidbody

    1

    source

    guitar
  2. Electro-Harmonix Small Clone Chorus

    2

    watery chorus on the riff

    mod
  3. Vox AC30

    3

    clean amp for the riff and the solo

    amp
  4. Fender Bassman

    4

    loud amp for the distorted sections

    amp
  5. Vox 2x12 combo cabinet

    5

    speaker cab for the clean amp

    cab
  6. Fender Bassman combo cabinet

    6

    speaker cab for the loud amp

    cab
  7. Close dynamic microphone

    7

    cab mic

    mic
  8. Studio plate reverb

    8

    subtle mix ambience

    reverb

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Evidence

Why we think this is right

The watery riff is an Electro-Harmonix Small Clone, and it is the rare Nirvana effect that is documented rather than deduced: MOJO's 1998 feature on these sessions says, in its section on this song, that Cobain's guitar sound "derived from an old Small Clone guitar effects pedal", and producer Butch Vig separately credits the pedal with the watery sound on this track. The same feature has Vig asking Cobain to "crank up his Mosrite through a Fender Bassman amp for the distorted sections", so the loud parts are an overdubbed track through a cranked amp rather than a pedal. The amp behind the clean layer is never named; a Vox AC30 was rented and used across the album. Nobody published the settings, the microphone or the mix reverb.

Sources

  • https://www.livenirvana.com/sessions/reading/mojo54.php
  • https://guitar.com/features/artist-rigs/the-humble-gear-used-by-kurt-cobain-on-nirvana-nevermind/
  • https://reverb.com/news/talking-with-earnie-bailey-nirvanas-guitar-tech
  • https://mixdownmag.com.au/features/gear-icons-vox-ac30/
  • https://www.ehx.com/products/small-clone/
  • https://www.musicnotes.com/sheetmusic/nirvana/come-as-you-are/MN0067113
  • https://www.musicnotes.com/sheetmusic/nirvana/come-as-you-are/MN0073197
  • https://www.musicnotes.com/sheetmusic/nirvana/come-as-you-are/MN0073198
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