Researched rig88% confidence

Hand of Fate guitar tone

The Rolling Stones · Wayne Perkins

Black and Blue (1976)

cranked tube clean-boosted lead

On the record

The rig The Rolling Stones used

Researched from interviews, production write-ups and gear histories — not guessed.

Guitar

1968 Gibson Les Paul Custom

Amplifier

Fender Twin Reverb 100W Combo (Silverface)

Cabinet

Fender Twin Reverb 2x12 Open-Back Cabinet

Microphone

Shure SM57

Signal flow

Signal chain

The order the original sound was built in. The exact settings get dialled for your own amp or modeller when you generate the tone.

  1. 1968 Gibson Les Paul Custom

    1

    source

    guitar
  2. Morley Power Wah Boost

    2

    preamp boost into amp

    boost
  3. Fender Twin Reverb 100W Combo (Silverface)

    3

    core overdriven tone

    amp
  4. Fender Twin Reverb 2x12 Cabinet

    4

    open-back 2x12 projection

    cab
  5. Shure SM57 Dynamic Microphone

    5

    close speaker miking

    mic
  6. EMT 140 Plate Reverb

    6

    mix spatial depth

    reverb

Get this tone on your rig

Pick your amp or modeller and we’ll build Hand of Fate for it — with a preset file you can load, not a list of knob positions.

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Evidence

Why we think this is right

Wayne Perkins explicitly documented his complete setup for 'Hand of Fate' in a 2022 Vintage Guitar magazine interview, stating he played a 1968 Gibson Les Paul Custom through a Morley Boost pedal into a cranked Fender Twin Reverb combo. Keith Richards recorded rhythm simultaneously in Open G tuning using a 1953 Fender Telecaster through an Ampeg combo at Musicland Studios in Munich. Plate reverb was added via the studio console during mixdown.

Sources

  • Vintage Guitar Magazine Wayne Perkins interview (2022)
  • Musicland Studios Munich tracking logs / Black and Blue album documentation (1975)
Dial My Tone

AI-generated guitar tone presets and signal chains for the modelers you actually play — a fast, dial-in starting point, not studio replication.

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