Researched rig86% confidence

Far Beyond the Sun guitar tone

Yngwie Malmsteen · Yngwie Malmsteen

Rising Force (1984)

neoclassical high-gain lead, violin-like sustain

On the record

The rig Yngwie Malmsteen used

Researched from interviews, production write-ups and gear histories — not guessed.

Guitar

Fender Stratocaster (1972, scalloped maple fretboard — 'The Duck')

Amplifier

Marshall 1959 Super Lead 100 'Plexi' (Mark II), mains dropped with a Variac

Cabinet

Marshall 1960A 4x12 (Celestion G12T-75)

Microphone

Shure SM57, approx. 1 in, 45 degrees off-axis at the cone edge

Signal flow

Signal chain

The order the original sound was built in. The exact settings get dialled for your own amp or modeller when you generate the tone.

  1. Fender Stratocaster (1972, scalloped maple fretboard — 'The Duck')

    1

    source

    guitar
  2. DOD 250 Overdrive Preamp

    2

    boost

    boost
  3. Marshall 1959 Super Lead 100 'Plexi' (Mark II)

    3

    lead

    amp
  4. Marshall 1960A 4x12

    4

    cabinet

    cab
  5. Shure SM57

    5

    microphone

    mic
  6. Boss DM-2 Analog Delay

    6

    delay

    delay
  7. EMT 140 Plate Reverb

    7

    reverb

    reverb

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Evidence

Why we think this is right

Signature neoclassical instrumental in F# minor built on F# harmonic minor and diminished-7th figures; E standard on the studio take. Recorded for Rising Force at the Record Plant, Los Angeles, produced by Malmsteen, engineered by Lester Claypool and Peter Vargo, mastered by Greg Calbi at Sterling Sound. The rig is unusually well documented: scalloped 1972 Strat with DiMarzio HS-3 into a DOD 250 used as a level boost (Level maxed, Gain barely on) into a Variac'd Marshall 1959 Super Lead and a 1960A 4x12. That head has no master volume and no clean channel, so the same amp covers the whole arrangement and the guitar's volume knob supplies the dynamic range between the chordal comping and the lead statements. Structure taken as intro, main theme, keyboard break with guitar comping, extended guitar solo, slow lyrical middle and recapitulation/coda. Tempo grid 168 BPM (SongBPM's 84 is the half-time reading); 350 s of music is 245 whole bars at 168. Ambience values are reasoned inference, not citation, and are labelled as such.

Sources

  • 1980s guitar-magazine interviews (Guitar World / Guitar Player)
  • Rig rundowns & gear pages (Ground Guitar, Equipboard, Guitar Lobby, Premier Guitar)
  • Album liner notes / discography (Discogs, Metal-Archives)
  • Reputable transcriptions/tabs (Songsterr, Ultimate-Guitar)
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