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Researched rig78% confidence

Live Forever guitar tone

Oasis · Noel Gallagher

Definitely Maybe (Recorded February 1994 at Sawmills Studio, Cornwall; mixed May 1994 by Owen Morris; released August 1994)

crunchy British dual-amp rock lead & wall-of-sound rhythm

On the record

The rig Oasis used

Researched from interviews, production write-ups and gear histories — not guessed.

Guitar

Gibson Les Paul Standard (1953 converted to 1960 spec, ex-Johnny Marr)

Amplifier

Marshall Valvestate 8080 Combo, WEM Dominator MK III Combo

Cabinet

Marshall Valvestate 8080 1x12 & WEM Dominator 1x12 Cabinets

Microphone

Shure SM57 Dynamic Microphone

Signal flow

Signal chain

The order the original sound was built in. The exact settings get dialled for your own amp or modeller when you generate the tone.

  1. Gibson Les Paul Standard (1953 converted to 1960 spec, ex-Johnny Marr)

    1

    source

    guitar
  2. Roland RE-201 Space Echo

    2

    preamp boost and subtle slapback echo

    delay
  3. Marshall Valvestate 8080 Combo

    3

    high-gain rhythm and lead core crunch

    amp
  4. Marshall Valvestate 8080 1x12 Open-Back Cabinet

    4

    speaker cabinet for Marshall amp limb

    cab
  5. Shure SM57 Dynamic Microphone

    5

    close microphone on Marshall speaker

    mic
  6. WEM Dominator MK III Combo

    6

    tube mid-range warmth and harmonic bloom

    amp
  7. WEM Dominator 1x12 Cabinet

    7

    speaker cabinet for WEM amp limb

    cab
  8. Shure SM57 Dynamic Microphone

    8

    close microphone on WEM speaker

    mic
  9. Neve 1073 Channel EQ

    9

    mixdown EQ and presence contouring

    eq

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Evidence

Why we think this is right

Recorded during the February 1994 Sawmills Studio sessions with engineer Mark Coyle and mixed by Owen Morris at Matrix Studios. Studio tracking sheets and retrospective interviews confirm Noel Gallagher tracked his electric guitar parts with a 1960-spec Gibson Les Paul Standard (a converted 1953 Goldtop lent by Johnny Marr). His core studio sound was achieved by splitting the signal into two small combo amplifiers recorded simultaneously: a solid-state/hybrid Marshall Valvestate 8080 combo (providing tight high-gain crunch) and a 1970s WEM Dominator MK III tube combo (providing warm EL84 mid-range bloom), driven in front by the hot preamp and subtle slapback of a Roland RE-201 Space Echo.

Sources

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  • Sawmills Studio 24-track tracking sheets for Definitely Maybe (exhibited at 'Chasing the Sun: Oasis 1993-1997')
  • Oasis Recording Info (oasis-recordinginfo.co.uk) technical archive by David Huggins and Anjali Dutt interviews
  • Owen Morris interview on recording and mixing Definitely Maybe (Q Magazine / Sound On Sound retrospective)
  • Ground Guitar equipment analysis: Noel Gallagher's Gear on Definitely Maybe
  • That Pedal Show / Mixdown Magazine interviews with Noel Gallagher on early Oasis guitar rigs
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