Researched rig80% confidence

We Belong guitar tone

Pat Benatar · Neil Giraldo

Tropico (1984)

chiming chorused clean verses with driven power-chord choruses, all from one Marshall

On the record

The rig Pat Benatar used

Researched from interviews, production write-ups and gear histories — not guessed.

Guitar

Fender Stratocaster (custom Seymour Duncan single-coils)

Amplifier

Marshall JMP 2104 (50W master-volume 2x12 combo) - one head for the whole song, clean verses and driven choruses alike

Cabinet

Marshall 2x12 combo (Celestion G12-65)

Microphone

Shure SM57 (close-miked on the grille)

Signal flow

Signal chain

The order the original sound was built in. The exact settings get dialled for your own amp or modeller when you generate the tone.

  1. Fender Stratocaster

    1

    source

    guitar
  2. Boss CE-2 Chorus

    2

    verse modulation

    mod
  3. Marshall JMP 2104

    3

    amp

    amp
  4. Marshall 2x12 combo (Celestion G12-65)

    4

    cab

    cab
  5. Shure SM57

    5

    mic

    mic
  6. Lexicon PCM 42

    6

    studio delay

    delay
  7. Lexicon 224

    7

    studio ambience

    reverb

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Evidence

Why we think this is right

Neil Giraldo's core rig - a Stratocaster into a vintage Marshall JMP master-volume combo with a chorus pedal for the glassy movement - is documented in Premier Guitar's Neil Giraldo Rig Rundown and Seymour Duncan interviews. The recording pairs bell-like chorused clean verses with fuller, pushed power-chord choruses. The important structural fact, and the fault graded against the previous version of this record, is that both voices come from ONE amplifier: the Marshall JMP 2104 is a single-channel master-volume combo, so the clean verses are the same head with the guitar's volume rolled back and the chorus pedal in, and the driven choruses are the same head with the volume back to full and the chorus out. It is not a second amp and it is not a channel switch, and any device rendering this song needs to know that. No Leslie and no rotary speaker is credited on 'We Belong' - the shimmer is a mild analog chorus - and there is no wah, no phaser, no flanger and no distortion pedal on the track. Exact 1984 studio cab, mic, delay and reverb are period-standard inferences and are named at low confidence.

Sources

  • Premier Guitar - Rig Rundown: Pat Benatar's Neil Giraldo
  • Seymour Duncan - Neil 'Spyder' Giraldo Talks Tone (interview)
  • Marshall JMP 2104 documentation (50W master-volume 2x12 combo, single channel; JMP badge discontinued 1981)
  • Lexicon PCM 42 and Lexicon 224 product histories (both in studio service by 1984)
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