Researched rig78% confidence

Even Flow guitar tone

Pearl Jam · Mike McCready

Ten (Epic, 1991) - recorded at London Bridge Studio, Seattle, 1991

cranked non-master Plexi crunch with a wah-driven lead

On the record

The rig Pearl Jam used

Researched from interviews, production write-ups and gear histories — not guessed.

Guitar

Fender Stratocaster - black 1962 Japanese reissue, the guitar McCready has named as his Ten guitar

Amplifier

Marshall Super Lead 100 (Plexi)

Cabinet

Marshall 1960 4x12 (Celestion Greenbacks)

Microphone

Shure SM57

Signal flow

Signal chain

The order the original sound was built in. The exact settings get dialled for your own amp or modeller when you generate the tone.

  1. Fender Stratocaster (1962 Japanese reissue, black)

    1

    source

    guitar
  2. Dunlop Cry Baby GCB-95

    2

    the voice of the solo

    wah
  3. Marshall Super Lead 100 (Plexi)

    3

    the only gain source

    amp
  4. Marshall 1960 4x12 (Greenbacks)

    4

    speakers

    cab
  5. Shure SM57

    5

    close cabinet microphone

    mic
  6. Studio plate reverb

    6

    mix-stage space around the guitars

    reverb

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Evidence

Why we think this is right

Mike McCready's guitar on Ten's second single: a bright, cranked Marshall crunch under the riff and a wah-soaked solo. The stored record already had the right gear - the black 1962 Japanese-reissue Strat that McCready named in interviews, a Super Lead, a Greenback 4x12, an SM57 and a studio reverb - but it had no control values at all, only two sections, and, most damaging, a Cry Baby that no section ever bypassed. On this platform bypassed is the only field that renders, so the stored record would have produced a wah that was on for the entire song, including the riff. WHAT CHANGED: (1) five sections instead of two, each naming the amp, its channel and absolute knob positions; (2) the wah bound honestly - engaged in the solo, bypassed in the other four sections - and given a real sweep range in hertz rather than a bare on/off; (3) the amp written with the topology stated in words, because a Super Lead's Loudness is not a preamp gain sitting in front of a master; (4) the 'Plate/Room' block resolved to one device; (5) the wah sharpened from a family name to the GCB-95 model. NOT CHANGED: the amp identity. A JCM800 shows up in later McCready rig descriptions but belongs to a different period, and this record does not need it.

Sources

  • https://www.guitarworld.com/features/mike-mccready-pearl-jam-ten-30-years
  • https://www.groundguitar.com/mike-mccready-guitars-and-gear/
  • https://en.wikipedia.org/wiki/Ten_(Pearl_Jam_album)
  • https://www.premierguitar.com/videos/rig-rundown-pearl-jam-mike-mccready
  • https://www.jimdunlop.com/gcb95-cry-baby-standard-wah/
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